Settecento Italiano baroque trio
with period instruments
Andrea Ortu traverso flute
Claudio Frigerio cello
Milena Frige' harpsichord
First Programme
Musical journey in Italy
The composers inside into this first programme was members of the most important italian schools of XVIII. (Rome, Neaples, Milan and Venice). A journey trhough the italian chamber music for flute.
First Part
G. B. SAMMARTINI Sonata in D for flute with a thorough bass
A. VIVALDI Sonata in e minor for cello and harpsicord
R. VALENTINI Sonata in e minor for flute with a thorough bass
Second Part
J. A. HASSE Sonata n° 1 op. 5 for flute with a thorough bass
D. SCARLATTI Three Sonatas for harpsicord
G. PLATTI Sonata in e minor for flute with a thorough bass
Second Programme
Italian style in the Europe court
For all the XVIII italian music lived a splendour historical moment. In all of the European Courts, Italians composers was esteemed and in this way others composers and the people knew italian style.
First Part
R. VALENTINI Sonata in e minor for flute with a thorough bass
(English composer, he also changed own name to be fully italian. He wrote in a perfect italian style )
G. B. SOMIS Sonata for cello and harpsicord
(Music Composer for the Count of Carignano in Parigi)
G. PAGANELLI Sonata in C for flute with a thorough bass
(Music Composer in the court of Braunschweig and in the court of Margravia Guglielmina in Bayreuth)
Second Part
F. GEMINIANI Sonata in D for flute with a thorough bass
(Manager of the Haymarket Theatre in London)
D. SCARLATTI Three Sonatas for harpsicord
(Music Composer in the court of the King of Portugal in Lisbona and Madrid)
G. PLATTI Sonata in e minor for flute with a thorough bass
("virtuoso of chamber" for the Prince Carlo Federico Bishop in Würzburg)