Links:

Umberto Croce

Leonardo Tarrini

Ugo Uva

The "Scarruffatura Livornese"

The G4 Calendar 

The Exhibitions

 

He is the graphic: draws with the gouge and paints with linoleum. Essential and severe in his lines, occasionally becomes lyric and entertains with colorful effects.

 

Tina's palmtree - print 50x50

cats - print 40x30

 

violin - print 40x30

 

boat at Torcello - print 12x18

 

 

 

Quick links - Galleries:

    Oil painting -   water color   -   pastel -         engraving & print -  sculpture.

 

dance of love - print 70x50

Scali Rosciano - print 20x30

Seville - Cathedral - print 40x30

 

 

In the engravings of this ligurian artist, who started working with graphic media in 1977, we notice a structural construction based on essence. He makes mainly linoleum engraving which produces on the print, enjoyable effects.

(Fosco Monti)

 

 

the seagull - print 50x50

Arturo Molinari is a conscious draftsman in a constant balance of formal and artistic expression. Here he proposes sketches of reality, like common objects of daily life in the fore ground, gaining conceptual strength through the simplicity of lines.

(Giorgio Falossi)

 

the red cloth - print 50x50

Logo Pio - print 50x30

the beginning - print 50x40

the chair 2 - print 50x40

the chair 3 - print 50x40

Poor gouge.

I must confess, I am self-taught in art. I cannot charge any teacher with  the  responsibility  to have educated me in using the less  sophisticated instrument: a poor gouge.  I know well that  a chisel  is  not that nobler,  but  with it you can shape volumes,  I know that  a hardwood graver  is  equally humble, but  with it  you can reproduce shadows.  Not  with the gouge. But  when  it carves the hard skin,  when it bites the pulp, it  reveals  the  many forms hidden in the  material. It  rides  the  sinuous curves  and  the straight  lines  with  surgical precision,  no mistake admitted.  In  the  details it's delicate, light in surfing,  like a boat on the waves,  but when  the  sketch is  done, it  becomes impetuous, rushing to take out the excess and freeing the drawing to express all its vitality. The hand just sustains, follows, and the gouge goes: where it touches, where it grazes, leaves its mark.. At last, the linoleum looks ploughed land, the furrows spread and melt themselves, it's hard to distinguish the subject in that beautiful intersection of lines and arabesques. When the work is done, the gouge rests and the plate is ready to leave its print, by mean of a thin layer of ink, over the immaculated paper. (Aemme)

 

the end - print 50x40

scarecrow - print 50x50

Villa Letizia - print 30x20

 

 

 

Link:

Arturo Molinari: Something to watch, something to read.