The Art of Aquatint, by B. F. Morrow. G. P. Putnam's Sons, New York, 1935.
The Art of Etching, by E. S. Lumsden. I. P Lippincott Co., Philadelphia, 1926.
Atelier 17. Wittenborn, Schultz, Inc., New York, 1949.
Cahiers d'Art, Juin, 1953, "Rolf Nesch," by Will Grohman.
The Caprices of Goya, by Jean Adhemar. Fernand Hazan, Paris, 1951.
Care and Repair of Japanese Prints, by Cari Schraubstadter. Idlewild Press, New York, 1948.
Etching, by Earl H. Reed. G. P. Putnam's Sons, New York (n.d.).
Hercules Seghers, by Leo C. Collins. The University of Chicago Press, 1953.
Incisioni Fiorentine del Quattrocento, by Lamberto Donati. Istituto Italiano d'Arte Grafiche, Bergamo, 1944.
Master Prints from the Museum Collection, William Lieberman. Museum of Modem Art Bulletin, Voi. XVI, No. 4, 1949, New York.
The Memoriai Exhibition of Hiroshige, by S. Watanabe. Ukiyoye Association, Tokyo, 1918.
New Ways of Gravure, by Stanley W. Hayter. Pantheon Books, New York, 1949.
The Origins of Printing and Engraving, by André Blum. Charles Scribner's Sons, New York, 1940.
Saturn: An Essay on Goya, by André Malraux. Phaidon, London, 1957. Screen Process Printing, by Albert Kosloff. Sign of the Times Publishing Co., Cincinnati, Ohio, 1950.
Ten Years of American Prints 1947-1956, by Una E. Johnson. The Brooklyn Museum, New York, 1956.
A Treatise on Etching, by Maxime Lalanne. The Page Co., Boston (n.d.). Wood-Block Printing, by F. Morley Fletcher. John Hogg, London, 1916.